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Why We Don’t All Like the Same Books

We welcome our guest blogger Nōnen Títi …

Why do we go around saying that one or another book “is good”, “is fascinating”, “is realistic”, or, alternatively, “is stupid”, “is simplistic” or “is not proper literature”? Why do we express our opinion about certain genres of books as if they are factual?

I am not talking about books that can justifiably be labelled “not very good”, because they have problems with grammar, punctuation, cohesion, pace, tone and characterization – problems related to the ability to use language or the craft of writing itself – which are somewhat objective measurements.

I am talking about our assumption that, despite referring to different genres and believing that “all people are unique”, we can somehow judge the quality of a story according to its content.

For example, fans of science fiction, especially hard science fiction, tend to dismiss everything that has a sense of magic as “unrealistic”, while their own books tend to be dismissed as having “cardboard characters”; many intellectual readers have a habit of calling action or romance stories “simple” or “stupid”, while others believe that books that focus on dialogue are “just talk and not story” or characters are “not really human” if they lack the expected desire for sex or adventure. And many still believe that a story that is not filled with a lot of high-brow words is “not literature”.

In other words, we assume that “a good book” must comply with our personal sense of reality, human nature and importance.

In short, we tend to believe that our picture of the world is the only correct picture, because we have lived with that picture our entire life, and we will righteously dismiss the others as “wrong”.

Worse than that, we tend to judge not only the book, but its writer and the readers of those books according to the same standards, so that we might think that people who read ‘simple’ stories are simple people.

But people are not all alike – and they are not all unique either – so that the attraction we feel towards certain genres of books (and characters) are a direct result of our inborn differences. These differences come in types that are like “genres” of books, while each person is as unique as different books are.

Now, it turns out that people of the same type tend to like similar books or contents.

For example, those “hard science fiction” readers I mentioned above, are usually people who are themselves quite technical and much better at math or computers than they are at dealing with people. This is why their characters tend to be a bit flat in the eyes of those people who tend to be naturally empathic, and whose deep (and sometimes dark) characters and their relationships are prominent in their stories, while they tend to brush over the technology. Whether as readers or writers, both might like science fiction, because their attention is not on today, but on what they imagine to be possible in the future, yet they emphasize either the technology or the people.

You could say these “future-people” are either “data-people” or “people-people”.

Alternatively, people who are naturally practical and who live for the here-and-now are not usually very much interested in stories that take either science and technology or human nature to the far reaches of the possible. They prefer stories they can relate to, like family or animal stories, action, adventure and they might read historical novels or biographies. We’ll name them “today-people”, and they also come in two types: “data-people” and “people-people”.

So now we have four groups of people, and each naturally feels more at home with some genres and not with others, although there is no clear boundary.

However, contrary to the common belief, fantasy does not belong with the “future-people”. Fantasy has many facets; it can focus on adventure, on people or on magic, each of which will attract different readers.

“Today-people” tend to accept the facts of the (fantasy) story as real for the duration of the book. They don’t care whether it is realistic or possible in the future; they accept the facts of the fiction and they enjoy the story exactly because it is intangible – because the story allows them to step out of their real world for a little bit. For example, they accept that the hero can fly.

“Future-people” are forever imagining what the future might look like, so that they will take the ‘facts’ of today or of science, and they create the fiction from those facts. They enjoy the fantasy, because it gives them new ideas. They might contemplate how people could fly in the future and use that as a basis for a new story or invention.

In this way, different genres are naturally attractive to different ‘genres’ of people and instead of dismiss books that don’t match our own nature, we might try and learn something about each other if we get a little bit brave and try something different for a change. The great thing about fiction is that it allows us to step into the mind (the perspective) of those different people for a little bit.

And this wonderful little book shop is the perfect place to give it a try.

Of course, these types of personalities are not really known by the names I gave them in this post. They are known by letter indicators, and instead of “genres’, I have used musical styles to explain those differences in my non-fiction books.

Thank you for reading.

Nōnen Títi

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Celebrating International Women’s Day

The 2018 theme for International Women’s Day is Achieve gender equality and empower rural women and girls.
We have excellent reads, that will motivate, encourage or inspire, see these and more on our website.
A woman with a voice is by definition a strong womanBut the search to find that voice can be remarkably difficult.” – Melinda Gates, Powerful Voices Annual Luncheon 2003
Events happening around the country can be found on the UN Woman, International Woman’s Day page.

In celebration of International Women’s Day we recommend the following:

Constant Radical: The Life and Times of Sue Bradford by Jenny Chamberlain
Sue Bradford is still evolving but in terms of what matters most, her core social justice principles, she remains constant. RRP $40.00

Go Gayle Go by Bruce Melrose
Young Gayle McKee’s running ability isn’t in question. But in the highly competitive environment of premier track racing, talent – and even hard work – aren’t always enough. RRP $30.00

The Evolution of Sylvia Graves by Nicole O’Connor
A coming-of-age-story that defines victory over adversity in the days before social media, set in Zimbabwe / Rhodesia and South Africa. RRP $25.00

Super Mum! Frazzled, Frumpy and Fabulous! by Stacey Broadbent
Motherhood. One of life’s journeys that some of us choose to partake in. It’s a crazy ride, full of ups and downs and in-betweens. RRP $15.00

A Childhood at Cairnsmore:Growing up on a New Zealand Sheep Farm by June Allen
The true story of a childhood spent on a sheep farm at the foot of the Ruahine Range in the 1920s and 1930s.        RRP $20.00

To Catch a Butterfly by Barrie Allom
The story of a much loved, but not always understood, daughter, who walked outside the frame of conventionality, leaving a trail of heart-searching questions. RRP $30.00